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CONQUEST / QUETZALCOATL

graphite on paper, 2007, Col. Terra Morte Cultural and Artistic Development

Buying Live Bluegill Sunfish

CORDOBA





Well, yes, I have decided to celebrate the arrival of Spring "with great fanfare" ...

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SPRING RAY OF THE SUN AND DUPLICATION

Antiqva Photo

That morning the sky was overcast and the sun did as best they could to reach the earth with its rays. Watching the clouds, while walking, I noticed something that caught my attention. His digital machine by hand, so I shot some photographs.

If you look at this picture, technically mediocre because it focuses directly at the sun, you will appreciate that in its central rays are descending defining the shape of an ethereal pyramid.

Here is the idea that informed the best-known funerary monuments of the Egyptians adopted, almost 5,000 years ago, the pyramidal shape. To the people of the Nile valley was the primeval God Atum, who identified with the Sun (Ra) when it is expressed in humans. Linked to the Egyptians worship the sun rose pyramids that would allow the Pharaohs, once passed away, ascend to the Celestial Kingdom. The pyramids were "machines" that allowed the ascension of King's spirit on a journey that would culminate solar when integrated with the One who created them.

In an ancient Egyptian text, known today as "The Story of Sinuhe", we hear that process has to happen after death:

"In the thirtieth year of his reign, in the third month flood on the seventh day, the King of Upper and Lower Egypt Sehetepibra, god, rose to its horizon. The god flew to heaven to join with Atum, the divine body joined with the Creator. The Residence (royal palace) was quiet and the hearts were in mourning ... "

The Egyptians long ago, repaired in ese aspecto piramidal de los rayos del Sol desparramándose sobre la tierra y decidieron emprender la construcción de pirámides cuya cúspide estaba coronada por una piedra revestida con planchas de oro o bronce (el piramidión) que despedía un brillo intenso, símbolo del propio fulgor del Sol.

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Lo esencial carnavalesco no es ponerse careta, sino quitarse la cara.

Antonio Machado

Poco después, agobiado por la máscara, sintiéndose increasingly pulled by invisible strings of a puppet that was beginning to no control, was tempted to find his game. But the deal that the widow relieved it was so sweet and loving that suddenly felt sorry for the three, and pout her and himself, and stood up and said goodbye.

But instead of getting home and took the elevator down to the ground floor, heading for the cafeteria building. He settled in the bar and ordered a wine, then another and then two more. He was there until they closed the bar, alone, trying their luck at a slot machine that emitted a ghostly music, a tune artificial and outer. He was unexpectedly comforted, made the very fallacy and electronic musical device driving, while an invisible hand patting her back friendly, encouraging him: If you become one without ceasing to be you, and never feel alone.


Juan Marse, Bilingual Lover

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JULIE C. AND THE MEDITERRANEAN

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Walking through the ruins of Carthage, the Tunisian coast Miss C., looking at the color of the sky and sea, he felt sure that the ranges of the blue had been invented there ...

Models' Names- The Pretty Little Liars Cover Art

JULIE C. AND ON SUNDAY AFTERNOON MY PEN CRISTAL

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Sunday afternoons, while the black Raul in the bar, was the football games, Miss C., in solitude, let the dreams of dreaming.

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Mary few months ago I did an interview in his blog " My pen Glass" . The can read "by clicking on the link. These past few days, as a token of affection, he has sent to all persons who participated in this project of his blog a picture that recalls those beautiful moments. One was an honor to participate in it, as it is to have known for several years, this special person ... Thanks, friend!

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This image of a sunset I took yesterday, where the road from Cordoba is addressed to Santa Mary Trassierra (Sierra Morena). I took it "freehand" under conditions somewhat harsh light. Still, though, I love it. What can we do ...! Oh, one of these days I'll have to take notice of my photographer friends and buy a tripod, and a "gondola" of those, and not many things more ...

Ah, I forgot. The colors are completely natural. The picture is framed but not retouched. It's like out of my mind, I say to my camera ...

Can You Smoke Weed And Do Creatine

EVENING IN THE CITY OF ROSES AND MIRRORS

wind blows amoroso el agua de la fuente...
Balbuceo palabras y rozo con mis labios
el caracol marino de tu pequeño oído,
húmedo como rosa que la aurora regase.

Pablo García Baena, Jardín

Permitid, Señor, un poco de lujuria en este mundo.
Permitid que el roce de los labios sea caliente levadura,
permitid que las pupilas de luto del deseo se hundan en el pozo de otros ojos,
permitid que la mano del osado amante palpe la sangre ajena estremecida.

Dejad hervir la entraña de los machos sobre la piel desnuda,
dejad el juego de los adolescentes labios bucear en los senos de los lirios,
dejad las vírgenes con su secreto fuego ardiendo en piras escondidas,
dejad los muslos de los verdes tallos mezclarse en llamas
de tacto, en apretadas lianas de caricias.

Que el rubor se desnude enteramente y la escultura
surja de tactos y torrentes,
que los zumos de ojos exprimidos y de brazos,
manen de fuentes secretas y de labios.
Permitidlo, Señor, que ya sufrieron sus penas los humanos,
que ya, bastante, la carga duró sobre los hombros.

Juan Bernier, Tiempo de deseo

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few weeks ago I posted on the blog a dream image of a rose. Before using various magical arts for one are difficult to understand, had rigged the picture so that the flower reflected unrealistically stated, simulating a vision mirror.

These past few days, Concepcion, a dear friend, author of "Sharing experiences " sent me a picture of a building she has done paintings inspired by the photo.

The "thing" the "shared experience" has given me so much joy that I thought we should publish trick photography, artistic creation and a poem Conchi, those burning with passion and classic, John Bernier, the last great humanist of Cordoba.

Thanks, Concepcion, for this joy you have given me ...

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UNREAL

Image: Antiqva

Alice spent most of the time living in a world of imaginary beings and Mr. Bones was drawn to this world become your partner in co-star in the main male character. On Saturdays and Sundays are dedicated to those crazy improvisations. Tea was attended by the Baroness Castle Dunwitty, a great conspiracy, but dangerous and Machiavellian, to take over the kingdom of Floriani. There was an earthquake in Mexico. Hurricane was the Rock of Gibraltar, and there was a wreck that left the island lost in Nemo, where the only food were acorns and buds of plants, but if it were the magic worm who lived almost at ground and ate it a snack, would be given the gift of flight. (Mr. Bones swallowed the worm that she gave him, and then, with Alice holding onto its back, went flying and the two fled the island.)

Paul Auster, Timbuktu

Old Spice After Hours Smells

JULIE C.

Image: Antiqva

Sometimes, Miss C. repaired in a few missing pieces of herself and possessed by some concern he ventured to look.

he could never retrieve them all, but occasionally found some that had been soaked in water droplets of rain or trapped beyond windowpanes.

Then, with the fragments recovered, came to be reconstructed.

Train Directions Charels Playhouse

SCHOOLS OF ARCHITECTURE IN SPAIN

Tenerife Demarcation of the College of Architects of the Canary Islands and Saavedra Llanos Díaz, architects

OBJECTIVES POSSIBLE FRAMEWORK FOR RENEWAL

English architects and their professional organizations, the architects' associations, are going through a phase of intense crisis. The architecture is a service activity, directly related to the construction sector, the economic environment is suffering particularly the problem of general lack of funding affecting the country. And with that, the architects' associations, those institutions corporate who had been on a mission over decades, have been pushed to meet a profound reform that conforms to this new and difficult situation.

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Many weekends, including Sundays, I devote my time to think and try to learn about experiences related to the profession of architecture. That is, in my supposed free time I dedicate to reading and analyzing information about this occupation that I love and fun years of my life. Recently, in addition, this match that I have assumed the role of representing a broad group of architects, and try to help improve de nuestra estructura común, presidiendo la Demarcación de Tenerife del Colegio de Arquitectos de Canarias

Por eso, en los últimos tiempos intento escudriñar ideas que puedan aclarar cual es el papel que la sociedad nos está queriendo reasignar en estos momentos de cambio. Algo que me ha interesado últimamente a este respecto, es la rica puesta en común de reflexiones que ofrece ese espacio de Internet orientado a los profesionales que es Linked In . Ahí he tenido oportunidad de asistir y participar en algunos grupos y debates que pretenden deliberar conjuntamente sobre el futuro de la arquitectura en nuestro país. Recomendaría especialmente dos, el que se denomina bsA (Rethinking Architecture) and entitled Architects entrepreneurs, encouraged by people as motivated as Jose Javier Quintana, Germain Cintas, Francisco Javier Clemente and Cobreros, among many other architects interested in better performance of the profession.

In one of those forums also involved a Catalan architect, Jordi Farran-I did not know, which is particularly associated with the analysis of the forms of organization and collective problems of the architects. Following the thread beyond the debates of Linked In I had access to her personal blog and that presents some very challenging ideas about what are the objectives as a professional organization for architects in Spain should have, now and for the future. The contributions have led Farrando on its own page group held an extensive exchange of views, which have enriched somehow their initial thoughts in a discussion at least, enlightening.

Association Headquarters Architects of Seville. Ruiz Cabrero and Perea, architects

Inspired by the collective effort I tried to extract and organize those ideas. And because I will dare to present them here, in my personal interpretation, as a potential targets for renewal of these professional institutions, which we have been obliged to work to incorporate the vast majority of architects in Spain over the last century.

Firstly no choice but to recognize both his detractors and their enthusiasts, the Association of Architects still remain in this country, social responsibility extends, facing government and society, as public corporations legally recognized. A commitment that has been pursued over a long time, dating back to 1931, and again endorsed by the recent Royal Decree 1000/2010 on college visa mandatory.

could consider that a renewed Architectural Association, as in the past, could be aimed at four basic tasks: improving the organization and collective representation, the universal promotion of professional activity, the dissemination of social contribution and cultural architecture, and finally, the contribution to the public interest in matters related to this profession.

Expanding beyond these core goals, we could frame a multitude of activities and efforts, among which would highlight the following list of tasks:

Headquarters

Vigo College of Architects of Galicia. Architects: Iris and Piñera

COLLECTIVE ORGANIZATION IMPROVING THE PROFESSION

- Implement and improve the professional qualification form to determine which individuals are effectively trained to perform the tasks by the existence of accurate records and the corresponding control assurance capacity.

- Ensuring the protection of the profession through ethics and legal mechanisms needed to secure a proper technical exercise eligible members.

- Improving standards in performing their own work related to architecture and urban planning, encouraging the development of common procedures and the execution of repetitive processes.

- Help establish the minimum requirements and form of administrative control must meet professional jobs so they can effectively serve its mandate under appropriate conditions.

- Establish a sustainable economic and financial structures and profitable in college organizations, with a measurable performance requirements and compensation of their workers based on numerically testable objectives.

- Creating a corporate image and brand college community which fosters the prestige of the profession and its social presence and to establish from the generation of an appropriate communication policy.

BUSINESS PROMOTION ACTIVITY OF ARCHITECTS

- Improve and expand the role of architects in the professional services market, especially in the construction sector and related activities.

- Investigate and identify new potential niche occupation that serve to redirect and take back the performance of architects.

- Promote the development of this professional group, through better organization, encouragement of technical capacity, expertise and openness to international markets.

- Strengthen the training process, innovation and continuous renewal of skills and expertise among the group integrated into the collegial structures

- Get a fair return to work by promoting the appropriate fees or salaries effort to run.

- To defend the collective interests of architects, related to the economy of the offices and the specific law that affects them.

-Stimulating knowledge and professional organizational innovation, fostering new business initiatives and / or associative complex and highly structured.

See the College of Architects of Catalonia in Barcelona

DISSEMINATION OF SOCIAL CONTRIBUTION OF ARCHITECTURE

- Encourage the transfer and dialogue between sensitivities between the professional disciplines of architecture and related.

- Promote the social role of the architects with their constant participation in collective debates that concern the whole of society and are related to the profession.

- defend the professional interests of ensuring a social knowledge specific disciplinary positions.

- spur the cultural character of the architecture, which put an emphasis on disseminating the ideas of architects and their artistic collaboration social development

- To establish a proper dialogue with public administrations considerations capable of delivering the group in relation to issues that affect them.

- Build public awareness campaigns to interpret are the advantages and contributions made by architects to the value added of the construction industry, particularly in construction and urban planning.

PUBLIC INTEREST IN DEFENSE OF THE FORTHCOMING CONTENTS

- Stimulate the existence of administrative machinery to ensure maximum efficiency in providing public services related to architecture, urbanism and construction, defense of its future users.

- Ensure the protection of consumers of products of architecture, is required to ensure that practitioners meet minimum capacity requirements and their work have appropriate technical competence and quality suitable to meet the purpose intended.

- Collaborate with public alternative to a possible oversight of projects and works to fulfill the technical requirements necessary and to consider legally enforceable, urban and industry.

Model of the new headquarters of the Association of Architects Madrid

Finally, beyond these global corporate objectives, I think that current structures need to evolve in several different directions, segmenting this large cluster of tasks. It is possible that the current situation in which schools take most of the above issues are identified, can lead to various types of institutions.

On one hand, some organizations dedicated to the control of the professional qualifications, the capacity control and ethics for its members, another group of institutions as trade unions, aimed at rendering and defending the professional interests of technical groups, and thirdly, corporations that address the educational, cultural and innovation. The first type of component organizations assume the public, those related to the state and administration, while the other two might be specific or interdisciplinary, in relation to other professions and groups with common interests.

is also possible that the harassment experienced in our days, which is exercised from the political institutions themselves, leading to a complete deregulation of professional practice. Thus, control of construction and architecture would be made exclusively from the technical services of local and state agencies under. Something that obviously are not adequately prepared at this time. The situation would be quite complicated and involve a significant deterioration of the building sector in our cities and increasing marginalization of the social role of professionals and their representative structures and cooperative .--->

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CONCERNS AND JULIE C. FIREFIGHTER AND THEY COME FROM FAR

Miss C. fell in love with a firefighter who wrote poetry.

Before her fleet mates, the man never spoke of his passion for poetry. These tough guys have never understood.

Tuesday and Thursday afternoons, when met at the gathering of poets, never mentioned that the office that allowed him to live was the fireman. They, so far from the real world, would have laughed him. Before

Miss C. acting either as a firefighter and as a poet, according to circumstances, so that when walking through the city and crossed with an acquaintance of Miss C. would never know how to behave. There came a moment at which I do not even dare to speak. I was afraid of saying something that would be inappropriate.

Put to the tension so great a few months later, Miss C. began to show clear signs of being crazy. It was then that he began to whisper to everyone that his lover was cheating. He had apparently discovered that the fireman-poet had relations with the novice Rosalia una monja de clausura de las Clarisas de Santa María Magdalena que los fines de semana actuaba como domadora de tigres en el Circo de la Luna…

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Si hubieran conocido la lengua de la ciudad, habrían podido preguntar quién hizo al hombre blanco, de dónde salió la fuerza de los automóviles, cómo se sostienen los aviones, por qué los dioses nos negaron el acero.

Pero no conocían la lengua de la ciudad. Hablaban el viejo idioma de los antepasados, que no habían sido pastores ni habían vivido en las alturas de la sierra nevada de Santa Marta. Porque antes de the four centuries of persecution and dispossession, the grandparents of the grandparents of the grandparents had worked the fertile land that the grandchildren's grandchildren's grandchildren had not been known or even seen or heard.

So now they could not make another comment that they were born, in mocking sparks, eyes, looked at those tiny hands of white men, lizard hands and thought, these hands do not know how to hunt, and thought: give only gifts made by others.

were standing in a corner of the capital, the chief and three of his men, without fear. Do not startle the vertigo machine traffic and pedestrians, or giant feared that the buildings could be derived from the clouds and above derrumbárseles. Stroked with the fingertips, their necklaces of teeth and several rounds of seeds, and not let themselves be impressed by the din of the streets. Their hearts are grieved for the millions of citizens who were passed over and under, the sides and front and back, on legs and wheels, full steam, "What would you all their hearts they asked slowly - if we did not leave the sun all day? "

Eduardo Galeano, Vagamundo .